Born 1972, Sydney, Australia
Education
1996 BFA (Honors First Class), Sydney College of the Arts, Sydney, Australia
2001 MFA (Research), College of Fine Arts, University of New South Wales, Sydney
2002 Associate Research, Goldsmiths College, University of London, UK
Selected Solo Exhibitions
2007 In a Station of the Metro, Artspace, Sydney, Asutralia
MUTE: Storm Sequence, curators Lina Selander and Marianne Zamecznik, Bastard, Oslo, Norway
2006 Shaun Gladwell, Hallwells Contemporary Arts Centre, Buffalo, NY
2005 Shaun Gladwell: Various Roles, Institute of Modern Art, Brisbane, Australia
MMXBREAKLESS SESSIONS, Sherman Galleries, Sydney, Australia
2004 New Balance, Perth Institute of Contemporary Art (PICA), Perth, Australia
2003 Silent, Ambient and Harder Remixes, Sherman Galleries, Sydney, Australia
2002 Various Rolls, PARK4DTV, Amsterdam (television broadcast), Netherlands
2001 Recent Projects, Cité Internationale des Arts, Paris, France
Cycles of Radical Will, Imperial Slacks Gallery, Sydney, Australia
2000 Kickflipping Flâneur, Artspace, Sydney, Australia
Selected Group Exhibitions
2007 Space for Your Future, curated by Yuko Hasegawa, Museum of Contemporary Art, Tokyo, Japan
Southern Panoramas, 16th International Electronic Art Festival, VIDEOBRASIL, São Paulo, Brazil
Experimenta Playground, BlackBox, Arts Centre, Melbourne, Australia
Shaun Gladwell, Noorderzon Festival of Performing Arts, Groningen, The Netherlands
Bicycle Club, curator Magda Kardasz, Kordegarda Gallery, Zacheta National Gallery, Warsaw, Poland
The Hague Sculpture 2007: DE OVERKANT / DOWN UNDER, Den Haag, The Netherlands
Flâneur, Raid Projects, Los Angeles, CA
Think with the senses, feel with the mind, 52nd International Art Exhibition, curator Robert Storr, La Biennale di Venezia, Italy
Como Vivir Juntos, Selección 27a, Bienal de São Paulo, Museo de Arte Contemporáneo, Santiago, Chile
Les Rencontres Internationales, Babylon Movie Theatre, Berlin, Germany
Collezione #2, curator Stephen Hepworth, Brancolini Grimaldi Arte Contemporanea, Rome, Italy
Streetworks: Inside Outside Yokohama, curator David Brooker, Asialink Touring Project, Chulalongkom Art Centre, Bangkok, Thailand; Valentine Willies, Kuala Lumpur, Malaysia; Substation, Singapore
2006 Wave Front: Australian Contemporary Art Scene, Tokyo Wonder Site, Shibuya, Tokyo, Japan
Les Rencontres Internationales, Centre Georges Pompidou, Paris, France
Experimenta Vanishing Point, touring to Contemporary Art Services; Devonport Regional Gallery; Newcastle Region Art Gallery; The Bakery, Perth; Art Gallery of South Australia, Adelaide; Ipswich Art Gallery, Australia
2006: The Year in Art, S.H Ervin Gallery, National Trust Centre, Sydney, Australia
27th Bienal de São Paulo: How to Live Together, São Paulo, Brazil
Busan Biennale 2006: Everywhere, Busan Museum of Modern Art, Busan, South Korea
Art ConneXions, ifa Gallery, Berlin, Germany, Goethe Institut touring project
Poor Yorick, Virginia Wilson Art, Sydney, Australia
Ten[d]ancy, Elizabeth Bay House, Sydney, Australia
Experimenta: Under the Radar, Foundation for Art and Creative Technology, Liverpool, UK, touring exhibition
Where Angels Tread, Contemporary Art Centre of South Australia (CACSA), Adelaide, Australia
Play: Portraiture + Performance in Video Art from Australia + New Zealand, Adam Art Gallery Te Pataka Toi, Victoria University of Wellington, Wellington, New Zealand
Plus Factors, Australian Centre for Contemporary Art (ACCA), Melbourne, Australia
Tunnel Vision, Greed and Stupidity: Artists, Cartoonists and Planners Review Concrete Politics in Sydney, The Cross Art Projects, Sydney, Australia
High Tide: New Currents in Art from Australia and New Zealand, Zacheta National Gallery of Art, Warsaw, Poland; Contemporary Art Centre (CAC), Vilnius, Lithuania
Random Access, McClelland Art Gallery and Sculpture Park, Langwarrin, VIC
Family First, The Physics Room, Christchurch, New Zealand
Swell, Lake Macquarie City Art Gallery, New South Wales, Australia
2005 Experimenta: Vanishing Point, Blackbox, The Arts Centre, Melbourne; Devonport Regional Gallery, Tasmania, Australia
Shaun Gladwell: Storm Sequence, Milton Keynes Gallery, UK
Yokohama 2005 International Triennale of Contemporary Art: Art Circus (Jumping from the Ordinary), Yokohama, Japan
Oz Night: Single Channel Video Works from Australia, Graf Media GM, Yokohama, Japan
MCA Collection: New Acquisitions in Context, Museum of Contemporary Art, Sydney, Australia
C-town Bling, Campbelltown Arts Centre, Sydney, Australia
Art Connexions, Goethe Institut exhibition, touring to Kuala Lumpur, Manila, Sydney, Jakarta, Hanoi and Melbourne
Space Invaders, Museum Kunsthaus Baselland, Basel, Switzerland
New Acquisitions, Govett-Brewster Art Gallery, New Plymouth, New Zealand
New Media Art: What is it?, Kintore Youth Centre; Apatula Kungkas Centre; Alice Springs Youth Drop-in Centre, Australia
Breathing Space, The Physics Room, Contemporary Art Project Space, Christchurch, New Zealand
Shaun Gladwell: Various Roles, Institute of Modern Art, Brisbane, Australia
Third International Film and Video Festival, Museum of New Art, Detroit, MI
Not Worried: New Australian Art, Raid Projects, Los Angeles, CA
2004 Vacation: Projection Series 7, Govett-Brewster Art Gallery, New Plymouth, New Zealand
Anne Landa Art Award, Art Gallery of New South Wales, Sydney, Australia
RESFEST 2004, Australian Centre for the Moving Image, Melbourne; Dendy Opera Quays, Sydney, Australia
One Of: Festivus 04, Sherman Galleries, Sydney, Australia
Shaun Gladwell: Hikaru Sequence, Michael Lett Gallery, Auckland, New Zealand
Terra Alterius: The Land of Another, Ivan Dougherty Gallery, College of Fine Arts, University of New South Wales, Sydney, Australia
Gridlock: Cities, structures, spaces, Govett-Brewster Art Gallery, New Plymouth, New Zealand
re: source, Gallery 6, Art in General, New York, NY
Flicker, Socrates Sculpture Park, Long Island City, New York, NY
Surrealestate, YYZ Artists’ outlet, Toronto, Canada
I thought I knew but I was wrong: New Video Art from Australia, Australian Centre for the Moving Image, Melbourne; Nanyang Academy of Fine Arts Gallery, Singapore; Jamjuree Gallery, Chulalongkom University, Bangkok, Thailand; Beijing Millennium Monument, Beijing, China; Ssamzie Space, Seoul, South Korea
2004: Australlian Culture Now, Australian Centre for the Moving Image and The Ian Potter Centre: NGV Australia, Melbourne, Australia
City Views, Museum of Brisbane, Brisbane, Australia
Interlace, Performance Space, Sydney; Contemporary Art Services, Hobart, Tasmania, Australia
Shaun Gladwell: Storm Sequence, Newcastle Region Art Gallery; 24Hr Art, Darwin, Australia
MIX-ED: Diverse Practice and Geography, curator Simeon Kronenberg, Sherman Galleries, Sydney, Australia
Muppet Talent Time, Espace SD, Beirut, Lebanon
Jj allin breaks the window, Inflight Gallery, Hobart, Australia
Beam Me Up, ANU School of Art Gallery, Canberra, Australia
Concrete 000 – Shaun Gladwell and TV Moore, Experimental Art Foundation, Adelaide, Australia
Suburban Edge, Australian Centre for Photography, Sydney, Australia
Disappearance, X-ray Contemporary Art Museum, Beijing, China
outTakeout, The Physics Room, Christchurch, New Zealand
Work Rest Play (Escape), Imperial Slacks Collaborative Project, Artspace, Sydney, Australia
Do Not Tumble Dry, BIN5 Gallery, Sydney, Australia
2003 2003: The Year in Art, S.H. Ervin Gallery, National Trust Centre, Sydney, Australia
Exhibit 001, Ols&Co Gallery, London, UK
Home Sweet Home: Works from the Peter Fay Collection, National Gallery of Australia, Canberra, Australia
Sport, Powerhouse Museum, Sydney, Australia
Primavera: Exhibition of Young Australian Artists, Museum of Contemporary Art, Sydney, Australia
Balance of Power, Raid Projects, Los Angeles, CA
Chewing the Phat, Phatspace, Sydney, Australia
Project Video Art catalogue #4, TBC Gallery, Melbourne, Australia
Picturing Paradise, Mori Gallery, Sydney, Australia
2002 Portobello film festival, Westbourne Studios, London, UK
Festivus, Sherman Galleries, Sydney, Australia
RCA Secret, Royal College of Art, London, UK
The Mind is a Horse, Bloomberg Space, London, UK
Still Time, 200 Gertrude Street, Melbourne, Australia
Randomize Video Festival, Sovi Art Centre, London, touring exhibition
Video Program, Biennale of Sydney, Art Gallery of New South Wales, Sydney, Australia
Octopus 3, Gertrude Contemporary Art Space, Melbourne, Australia
Positive Overkill, Imperial Slacks Gallery, Sydney, Australia
Serial Sevens, Imperial Slacks Gallery, Sydney, Australia
Godzilla vs Skateboarders, Dunlop Art Gallery, Regina, Canada; Art Gallery of Southwestern Manitoba, Canada
2001 Compressions/Covers, Boutwell Draper Gallery, Sydney, Australia
New Releases, Gallery 4A, Asia-Australia Arts Centre, Sydney, Australia
Imperial Alliance, Imperial Slacks Gallery, Sydney, Australia
Period, Blau Grau, Sydney, Australia
Serial Sevens, Imperial Slacks Gallery, Sydney, Australia
2000 Desire, Sir Hermann Black Gallery, University of Sydney, Sydney, Australia
Australian Painters at the Millennium, Imperial Slacks Gallery, Sydney, Australia
Not Quite Right, Grey Matter, Glebe, Sydney, Australia
SKULLS R US, with David Griggs, Lisa Salmon and Emma Price, 370 Bourke Street, Surry Hills, Sydney, Australia
An Appointment with Reality, curator Nick Vickers, Sir Hermann Black Gallery, University of Sydney, Sydney, Australia
1999 Herringbone Fundraiser, Herringbone Gallery, Sydney, Australia
Works on Paper, Exchange exhibition, The Academy of Fine Arts, Ljubljana, Slovenia
Helen Lempriere Travelling Art Scholarship exhibition, Artspace, Sydney, Australia
1998 Altered Characteristics, College of Fine Arts, Exhibition and Performance Space, Sydney, Australia
1998 Australian Conference of University Art and Design Schools, Gallery 101, Melbourne, Australia
Indahause, Herringbone Gallery, Sydney, Australia
Helen Lempriere Travelling Art Scholarship exhibition, Artspace, Sydney, Australia
Loud, National Media Festival of Youth Culture and The Arts, http://www.loud.org
1997 Hatched, Healthway National Graduate Show, Institute of Contemporary Art, Perth, Australia
Helen Lempriere Travelling Art Scholarship Exhibition, Artspace, Sydney, Australia
1996 Resisting Blackmail, Kinesis, Leichhardt, Sydney, Australia
NSW Travelling Art Scholarship, College of Fine Arts, University of New South Wales, Sydney, Australia
1991 Behind the Scenes, staff exhibition, Sydney Theatre Company, Sydney, Australia
1990 On This Day Art Award, Powerhouse Museum, Sydney, Australia
Awards, Residencies and Commissions
2006 Tokyo Wonder Site, residency, Shibuya, Tokyo
Australia Council Fellowship
2005 Experimenta ’New Visions’ Commission for emerging artists
Woolloomooloo Night, commissioned for the Anne Landa Art Award, Art
Gallery of New South Wales, Sydney, Australia
2003 Australia Council New Work Grant
National Association for the Visual Arts, Pat Corrigan Artists’ Grant
National Association for the Visual Arts, Marketing Grant Scheme for NSW Artists
Liverpool City Art Prize, First Prize for work under $1000
2001 Anne & Gordon Samstag International Visual Arts Scholarship
2000 Australia Council Development Grant, Cité Internationale des Arts, Paris, France
Awarded University of New South Wales Union Art Competition (first place, two-dimensional category)
1997 Awarded Willoughby City Art Prize (first place, student category)
Studio Residency, Artspace, Sydney, Australia
Australian Postgraduate Award, University of New South Wales, Australia
1996 Awarded Sydney University Art Competition (first place), Sir Hermann Black Gallery, University of Sydney, Australia
National Association for the Visual Arts, Marketing Grant Scheme for New South Wales Artists
Collections
National Gallery of Australia, Canberra
Art Gallery of New South Wales, Sydney
Museum of Contemporary Art, Sydney
Campbelltown Arts Centre, Sydney
University of Technology, Sydney
The University of Sydney, Sydney
Govett-Brewster Art Gallery, New Plymouth, NZ
Corporate and private collections in Australia, the United Kingdom and the United States
Selected Bibliography
Josh Gardiner, ’Hanging tough: Shaun Gladwell’, Dazed, vol. 1, no. 3, 2007, p. 136
Katrina Strickland, ’Bids will shed light on video art market’, Saleroom, Australian Financial Review, 2 August 2007, p. 50
Terry Ingram, ’Video star storms Venice, Australian Financial Review, 5 July 2007, p. 21
Nicolas Ostlind, ’Asian artists echo biennale director’s themes’, Japan Times, 22 June 2007
Sebastian Smee, ’Finding depths in shallow waters, Visual Art, Weekend Australian, 16–17 June 2007, pp. 18–19
Megan Backhouse, ’Finding space on a crowded canvas’, The Critics, Age, 16 June 2007, p. 19
Sarah Milroy, 'How art can be the counterpoint to a superficial CNN world', The Globe and Mail (Canada), 16 June 2007, pp. R6–7
Mark Clintberg, ’Venice’, Akimbo blog, 14 June 2007
Richard Dorment, ’The best Venice for years’, Telegraph UK; ’The best of the Biennale’, Picture Gallery, Telegraph UK, 12 June 2007
Terry Ingram, ’Who’s who of art lovers head to Venice Biennale’, Weekend Australian Financial Review, 9–10 June 2007, p. 3
Terry Ingram, ’Who’s who of art lovers head to Venice Biennale’, Weekend Australian Financial Review, 9–10 June 2007, p. 3
Sebastian Smee, ’Visions of life and death’, Inquirer, Weekend Australian, 9-–10 June 2007, p. 27
Stefano Bucci, ’Qui sventola la bandiera americana’, Corriere Della Sera, Italy, 9 June 2007
Megan Backhouse, ’Setting Storr by the art, not marketing’, Arts & Culture, Age, 9 June 2007, p. 23
Sebastian Smee, ’Aussie artist takes his Valhalla to Venice’, The Nation, Australian, 8 June 2007, p. 7
Katrina Strickland, ’Biennale bound’, Australian Financial Review Magazine, June 2007, p. 16
Russell Storer (in conversation with Sally Breen), ’Ten[d]ancy at Elizabeth Bay House’, Eyeline, no. 63, winter 2007, pp. 16–20
Daniel Baumann, ’Shaun Gladwell, ’Public space, translation and beauty’, Art & Australia, vol. 44, no. 4, winter 2007, pp. 570–75
Andrew Maerkle, ’The cook, the curator, the bike & the festivals: Venice, Kassel, Münster’, Art Asia Pacific no. 53, May–June 2007, pp. 98–101
Lindsay Harris, ’Shaun Gladwell’, catalogue essay, 52nd International Exhibition of the Venice Biennale, ’Think with the senses, feel with the mind – art in the present tense’, Marsilio, Italy, 2007, pp. 122–125
Katrina Strickland, 'Venice to experience dreamtime', Australian Financial Review, 27 April 2007, p. 7
Katrina Strickland, 'Venice club: Patrons boost biennale budget', Australian Financial Review, 26 April 2007, p. 43
Hannah Mathews, ’It’s that time again – Hatched @ PICA’, Artnotes WA, Art Monthly Australia, no. 198, April 2007, p. 49
Clara Iaccarino, ’Venice, here come six of the best’, Arts & Entertainment, Sydney Morning Herald, 7 March 2007, p. 16
Gillian Serisier, ’How to pick a winner?’, Australian Art Market Report, issue 23, autumn 2007, pp. 28–30
Terry Ingram, 'Venice invitees', Australian Financial Review, 1 March 2007, p. 26
’What’s on in Adelaide’ (Experimenta Vanishing Point AGSA), Australian Financial Review, 23–25 February 2007, p. L4
Megan Backhouse, 'Aussie numbers up for Biennale’, Mixed Media, Age, Melbourne, 21 February 2007, p. 19
’Shaun Gladwell’, 50 Most Collectable Artists, Australian Art Collector, issue 39, January – March 2007, pp. 126–7
Claire Todd-Miller, ’Australian street art comes inside’, Bangkok Post, www.bangkokpost.com , 9 February 2007
Gillian Serisier, ’Acquisitions by the public galleries an important guide to “what to buy”’, Australian Art Market Report, no. 22, summer 2006–07, pp. 20–22
’Artnews 2006: Australian art on the international scene’, Art & Australia, vol. 44, no. 2, summer 2006, p. 210
Carmel Dwyer, ’Relaxed and confident’, Australian Art Collector, issue 38, October – December 2006, pp. 189–193
John McDonald, ’Asian tiger’s sleeker self’ (Gwangju Biennale; Busan Biennale), Arts & Entertainment, Sydney Morning Herald, 7–8 October 2006, pp. 16–17
Sebastian Smee, ’Not one of Pavlov’s dogs’, Visual Arts, Weekend Australian, 7–8 October 2006, pp. 18–19
Sunanda Creagh, ’Cashed up, thanks to some radical moves’, Sydney Morning Herald, 29 August 2006, p. 12
Laura Murray Cree (ed.), Twenty: Sherman Galleries 1986–2006, Craftsman House, Melbourne, 2006
Sebastian Smee, ’Tiers of influence’, Arts, Weekend Australian, 22–23 April 2006, pp. R18–19
Terry Ingram, ’Photo proofs give negative results’, Smart Money, Weekend Australian Financial Review, 18–19 February 2006, p. 40
Gillian Serisier, ’Video art’, Australian Art Market Report, issue 19, Autumn 2006 pp. 26–27
Sabine Schaschl-Cooper (ed.), Space Invaders: A discussion about painting, space and its hybrids, JRP Ringier Kunstverlag AG, Zurich, 2005
Terry Ingram, ’The new heart of art beats strong’, Australian Financial Review, 22 December 2005, pp. 44–5
Sabine Schaschi-Cooper, ’Painting, space and hybrids’, Broadsheet, vol. 34, no. 3, September 2005, pp. 160–61
’10 Artists to Watch’, Australian House and Garden, p. 77
Mark Pennings, ’Out of place, out of time, out of mind: Shaun Gladwell’s aesthetic explorations’, eyeline, no. 58, spring 2005, pp. 16–17
Greg Burke, ’Moving image: The most popular art form’, Artlines, vol. 2, winter 2005, pp. 24–7
John Kaldor, Gallery, Art & Australia, vol. 42, no. 4, winter 2005, pp. 589, 571
Eve Sullivan, ’Anne Landa Award’, Art & Australia, vol. 42, no. 4, winter 2005, p. 599
Sebastian Smee, ’Capturing the community’, Weekend Australian, 16–17 July 2005, p. R18
Dominique Angeloro, ’Bling it on’, Metro, Sydney Morning Herald, 15 – 21 July 2005, p. 22
Tracey Clement, Critic’s Picks, Sydney Morning Herald, 15 – 21 July 2005, p. 23
’Shaun Gladwell’, Michael Reid, Sydney Morning Herald, June–July 2005, p. 8
Katrina Strickland, ’Art as an investment’, Weekend Australian, 9–10 July 2005, p. R23
Brendan Lee (compiler), ’Your top ten video artists’, Photofile, no. 74, winter 2005, pp. 62–4
Andrew Frost, ’What’s so fashionable?’, Photofile, no. 74, winter 2005, pp. 26–7
Stewart Hawkins, ’Anne Landa Award’, Photofile, no. 74, winter 2005, pp. 69
Julianne Pierce, ’Battle of the brands’, Photofile, no. 74, winter 2005, pp. 42–5
’Shaun Gladwell’, Art World, July 2005
’Shaun Gladwell and Scott Redford’, boxoffice, the(sydney)magazine, June 2005, p. 101
Victoria Hynes, ’Ctown Bling’, the(sydney)nagazine, June 2005, p. 100
Janne Ryan, ’The rise of video art’, Weekend Australian Financial Review, 21–22 May 2005, pp. 31–2
Michael Reid, ’Shaun Gladwell’, The Art Oracle, Sydney Morning Herald, 14–15 May 2005,
p. 13
Alice Cavanagh, ’Shaun Gladwell: Artist’, Monster Children, no. 8, autumn 2005. p. 72
Joanna Taylor, ’Centre City? It’s a beauty’, 18 May 2005
’Shaun Gladwell’, ARTCO, Tokyo, May 2005
Rosemary Sorensen, ’Word junk clutters ride’, Courier Mail, Brisbane, 2 April 2005, p. 9
Don Gordon-Brown, ’Get your skates on’, Independent, Brisbane, vol. 5, no 6, 24 March 2005, p. 1
’The ride of his life’, Brisbane News, 24 March 2005, pp. 17–18
Peter Hill, ’State of original cine’ (Anne Landa Award), Spectrum, Sydney Morning Herald, 8–9 January 2005, p. 16.
Liz van den Nieuwenhof, ’Hello: Shaun Gladwell’, Weekend Australian Magazine, 8–9 January 2005, p. 9
Sebastine Smee, 'Video gaga', Weekend Australian, 18–19 December 2004 pp. R18–19
Daniel Palmer, ’Australian culture now’, Art & Australia, vol. 42, no. 2, summer 2004, pp. 196–7
Mark Gomes, 'Shaun Gladwell', Australian Art Collector, January–March 2005, p. 90
Penny Craswell, ’Shaun Gladwell’, Broadsheet, December 2004 – February 2005, p. 34
Ibor Holubizky, ’Gridlock’, Broadsheet, December 2004 – February 2005, p. 55
Howard Tanner, ’Art in the new corporate environment’, Australian Art Market Report, no. 14, December 2004 – February 2005, pp. 18, 19
’Shaun Gladwell’, review (Sad and Lonely), Photofile, no. 73, summer 2004, pp. 73, 75
Sebastian Smee, ’Don’t fence me in’, Review, Weekend Australian, 6–7 November 2004, pp. 18–19
Wayne Tunnicliffe, ’Anne Landa Award: A living, changing memorial for a vivid arts supporter’, Look, November 2004, pp. 14–16
Edward Colless, ’Warp speed’, Australian Art Collector, issue 30, October–December 2004, pp. 84–9
Peter Hill, ’Time travellers’, Spectrum, Sydney Morning Herald, 18 August 2004, pp. 21–2
Stewart Hawkins, ’Mixed-Ed: Diverse Practice and Geography’, Photofile, no. 72, spring 2004, p. 77
Linda Michael, ’2004: Australia culture now in Melbourne’, Art Monthly Australia, no. 172, August 2004, pp. 25–9
Alex McDonald, ’Zeitgeist’, State of the Arts e-mail newsletter, 5 August 2004
http://www.stateart.com.au/sota/reviews/default.asp?fid=2828
Rosalie Higson, ’Flash forward’, Arts, Weekend Australian, 31 July – 1 August 2004, pp. 18–19
John McDonald, ’“Yoof” wins: Looking for uncool culture’, Australian Financial Review, 22 July 2004, p. 43
Oyster, World Fashion, issue 52, June–July 2004, p. 55
Edward Colless, ’Present tense: 2004 Australian Culture Now’, Weekend Australian, 17–18 July 2004, pp. 18–19
Michael Libucha, Editorial, City Search, Brisbane, 22 June 2004, pp. 1–2
Dominique Angeloro, ’Interlace’, Critic’s Pick, Metro, Sydney Morning Herald, 12–13 June 2004, p. 27
Alexie Glass, I thought I knew but I was wrong: New Video Art from Australia, exhibition catalogue, ACMI, Melbourne, 2004
Russell Smith, Crypto-Realism, Art Monthly Australia, no. 168, April 2004
Simon Blond, ’Hopeful disaster’, Weekend Extra, West Australian, 28 February 2004, p. 13
Sarah Grant, ’Treasures on TV’, Sunday Telegraph, 18 April 2004, p. 22
Peter Hill, ’All in a blur of colour and speed’, Spectrum, Sydney Morning Herald, 9–11 April 2004, pp. 8–9
Andrew Frost, ’The next generation’, Australian Art Collector, issue 28, April–June 2004,
pp. 114–7
Sally Breen, ’Remixes for a new[ish] millennium’, catalogue essay, Perth Institute of Contemporary Art (PICA), Perth, 2004
Tracey Clements, review, Primavera 2003, Artlink, vol. 24, no. 1, 2004, p. 87
Laura Murray Cree, ’Small is beautiful’, State of the Arts, January–March 2004, pp. 79–81
Andrew Frost, ’50 of Australia’s most collectable artists’, Australian Art Collector, issue 27, January–March 2004, p. 86
Peter Hill, ’Charitable acts’, Spectrum, Sydney Morning Herald, 10 January 2004, pp. 10–11
Anthony Kiendl and Iain Borden, Godzilla vs Skateboarders, Dunlop Art Gallery, Canada, ISBN 0920085-93-8
Clara Iaccarino, ’Skater rolls on to art list’, Sun-Herald, 14 December 2003, p. 48
Laura Murray Cree, ’Shaun Gladwell’, Young Guns, State of the Arts, October–December 2003, p. 69
Maria Bilske, ’Shaun Gladwell: Silent, ambient + harder remixes’, Broadsheet, vol. 32, no. 3, September–November 2003
Joanna Mendelssohn, ’Shaun Gladwell’, Artlink, vol. 23, no. 3, 2003
Dominique Angeloro, ’Espresso yourself’, Metro, Sydney Morning Herald, 19–25 September 2003, p. 26
Andrew Frost, ’50 of Australia’s most collectable artists’, Australian Art Collector, issue 27, January–March 2004, p. 86
Maria Bilske, ’Shaun Gladwell: Silent, ambient + harder remixes’, Broadsheet, September–November 2003
Lenny Ann Low, ’Hot in the city, skating across genres’, Sydney Morning Herald, 6 August 2003
Russell Smith, ’Outside the context’, Muse, Canberra, no. 243, November 2003
Gallery, Art & Australia, vol. 41, no. 2, summer 2003, p. 286
Blair French, ’Video goes big time’ RealTime, August–September, no. 56, p. 37
John Cruthers, ’Peter Fay: A life in art’, Art & Australia, vol. 40, no. 4, 2003, p. 639
Peter Hill, ’Pick and mix’, Spectrum, Sydney Morning Herald, 12–13 July 2003, p. 13
Lenny Ann Low, ’Things we do for fun’, Sydney Morning Herald, 5–6 July 2003
Dominique Angeloro, ’Skate expectations’, Metro, Sydney Morning Herald, 10 July 2003,
p. 26
Charlotte Day, Octopus Three, exhibition catalogue, 200 Gertrude Street, Melbourne, 2002
Jack Anderson, ’At the Galleries’, Leader Post, (Canada), 2002, p. 179
Kit Messaham-Muir, ’David Griggs and Shaun Gladwell’, Eyeline, no. 46, spring 2001
Simon Rees, ’Review’, Flash Art International, no. 220, October 2001, p. 110
Iain Borden, Skateboarding and the City: Architecture and the Body, Berg, Oxford, 2001
Mix: contemporary Culture magazine, review, p. 21
Kit Messaham-Muir, ’Kickflipping Flâneur’, Kerb: Journal of Landscape Architecture, issue 9, Royal Melbourne Institute of Technology, 2001
Felicity Fenner, ’Undiscovered: Uncovering Australia’s rising art stars’, Australian Art Collector, issue 16, April–June 2001, p. 76
Alexi Glass, Skate expectations’, Sydney Morning Herald, 20 October 2000, p. 26
Kit Messaham-Muir, ’Practices of the city and the Kickflipping Flâneur’, catalogue essay, Artspace, Sydney, 2000
The Book of Loud, vol. 1, issue 1, Terraplane Press, Sydney, 1998, p. 66
Ted Snell, ’Hatched’, Art & Australia, vol. 35, no. 2, summer 1997, p. 244–5
Bruce James, Galleries, Sydney Morning Herald, 9 August 1996, p. 12