By collapsing of architecture, space, and art history, Lester Monzon's work dissects the notion of context. Colorful gesticulations conceal sections of rigid patterning, a tete-a-tete between abstract expressionism and hard-edge abstraction that implies a gentle lampooning of the taxonomic tradition. Monzon upends the formalism and segregation innate to the fine art world, and fabricates a composite genealogy of painting - a pithy resolution to an otherwise vapid debate. Monzon's luscious brushstrokes slyly creep into a Hirst-esque field of dots or Noland-like plane of stripes, like the resurrection of a once-declared dead practice through a satirical hand. In his recent work, Monzon applies this critique of contextual art to mark-making in public spaces; be it graffiti on tiles in a public bathroom, stains on the sidewalk, or the popularized notion of "street art."
Monzon (b. 1973, Brooklyn) received his M.F.A. from Art Center College of Design (CA). His work has been exhibited at the Wignall Museum of Contemporary Art (CA), in addition to shows in San Francisco, Chicago, and Los Angeles. His work is included in the permanent collection of the Museum of Contemporary Art, San Diego (CA). The artist lives and works in Los Angeles (CA).
Artillery Magazine - Lester Monzon
The L.A. Times - Datebook: Japanese American photography, detailed drawings, everything Marcel Duchamp
The Norman Transcript - Outside the Lines: Mainsite's Latest Exhibit Presents Big Abstract Ideas in Small Forms
Artforum - Lester Monzon Review
re-Title - Mark Moore Gallery
Fabrik - New Works
Wall Street International - Lester Monzon
Art Media Agency - Mark Moore Gallery Now Representing Lester Monzon
Catalogue Essay - Lester Monzon's Falling Leaves
New American Paintings - Lester Monzon
I call it Oranges - Lester Monzon