Kenichi Yokono uses traditional woodblock methodologies to address the comic book horrors of contemporary Japanese culture. Manga, anime, horror movies, and other stereotypical aspects of Japanese pop culture merge to present iconic images of buoyant menace and cruelty, which serve to contrast startlingly with the sugary cartoon characters that are also common. Although functioning woodblocks, the works are only ever exhibited directly and prints are never produced. Such a method maintains the primacy of the hand made object and the artist retains a tangible presence. These multiple oppositions in Yokono's work results in pieces that are highly relevant critiques that retain a pleasing irony.

Born in 1972 (Kanazawa, Japan), Yokono was trained at the Kanazawa College of Art (Japan). He has had solo exhibitions in Tokyo, Los Angeles, Vienna and Amsterdam, among numerous international group shows at venues such as the Torrance Art Museum (CA), The Ueno Royal Museum (Tokyo), Mori Museum (Tokyo), Suzaka Manga Museum (Nagano), Hilger Contemporary (Vienna), and Joshua Liner Gallery (NY). He has participated in residencies at the McColl Center for Visual Art (NC) and the International Studio and Curatorial Program (NY), and was the recipient of the 2005 Asian Cultural Council Fellowship award, as well as the Tom Eccles Prize (NY). His work in included in the collections of the West Collection (PA), The Pigozzi Collection (NY/SWZ), and Progressive Collection (OH) among others. The artist lives and works in Tokyo, Japan.

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