Utilizing John Rajchman's notion of "operative formalism," Feodor Voronov (b. 1980, St. Petersburg) creates optical terrains that splinter and twist around the central image of a word. Voronov investigates the nature of repetition in both form and language by painting harlequin patterns that are at once organic and methodical - an analysis of the human experience that borders on familiar but is clearly unique. Voronov toys with the formal aesthetics of the written word, evaluating its psychological roots in symbolism à la Magritte, while also embellishing upon the intrinsic habit of mark-making in the vein of Cy Twombly.

Voronov received his MFA from Claremont University (CA) in 2008, and has participated in a number of exhibitions throughout the Southern California region. The recipient of the 2008 Hernandez Fellowship, and the 2007 Claremont Graduate University Fellowship, he lives and works in Los Angeles.

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